Last friday and saturday I attended NC State’s Biennial Graphic Design Graduate Symposium: Design, Community & the Rhetoric of Authenticity. From the get go, know that it was a top notch event, executed with the care and precision of a full-blown international conference. Read the rest of this entry »
This past week I received my copy of Gary Hustwit’s film Objectified. You can imagine my excitement to have the opportunity to finally press play, but seventy-five minutes later I found myself asking: “–That was it?” Just as with Helvetica, I enjoyed the film, I truly did, but I found it too closed niched, too much in the preference of a certain kind of designer and object.
Where were the Campana brothers? Did the One-Laptop Per Child deny an interview? Was Phillip Stark not available? Javier Mariscal? How come no electric cars made it to the edit? How about Massimo and Lella Vignelli? And those unsung heroes who today produce some of the most amazing work on the sustainability front? How about Catalan designer Juli Capella who constantly writes about Spanish objects, their design and influence in culture? How come Scandinavia’s and India’s work did not make it? And why were there no architects? (they happen to design a large percentage of the objects that surround us) I bet you can also instantly think of a few more examples.
This project being a film, I understand its need for editing and focus. Not everything can make it. I understand that, but… Would it have been too hard to minimize the fourth showing of one person and introduce the perspective of an up-and-coming designer? And how come Latin American design has not been referenced? (I am so shocked about the non-showing of the Brazilian Campana brothers).
As you can tell, I am a bit disappointed, but don’t let that discourage you from watching it. The film offers a rare look into the process and thinking of some of those whose work has changed the contemporary way of living. It is a good reference. It just left me with too many questions that probably only a design nerd like me will ever make…
I recently visited The Bain Project in Raleigh, North Carolina. The thing is, I ended there out of pure luck due to a friend who simply said: I want to stop at “a thing”.
As I arrived on the location all that I could think to myself was: “How did I not know about this earlier? How had nobody told me?”. In retrospect, I did know of the activity. In fact, its promotional poster hung 5 feet from me in my studio for the last 3 weeks of classes.
I am one of those rare graduate students who still makes a bit of time to watch some television. I know… I know… Honestly though, I learn from a good show, story, or plot. Battlestar Galactica, the early Gray’s Anatomy, and the initial seasons of Prison Break, Lost, and 24, are some of the contemporary visual narratives that go beyond the mere entertainment they are meant to provide… and there’s plenty to gain from watching them if you are conscious of this. There are other not so good narratives out there, but it’s harder to admit and share what I see in them in a public manner… ;)
Recently, while watching some of these shows, I noted a change in the commercial advertising landscape: the automotive industry is trying to harness the power of typography and verbal communications to make its pitch to us.
So the big question after getting the button machine was: what was I going to do as a first button set to share with others? I decided to make a gift to my classmates, and I made a button out of every single one of the Design Thinking Posters that we each made for this semester’s studio class. The set has all 16 concepts represented.
A few days ago I found the Insights Incite Change Style Guide webpage for Syracuse University. I was temporarily thrilled, for as an alumnus of the S.I. Newhouse School of Public Communications I could not wait to experience a new visual transformation of my alma mater.
Armando Rigau holds a degree in Philosophy from Georgetown University. Currently he studies at the M.Arch. 1 program at the School of Architecture, Art and Planning at Cornell University. Alberto Rigau recently completed his graduate studies in Design at the College of Design in NC State University. Currently he runs a multidisciplinary design studio in San Juan, Puerto Rico.
On Thursday October 8 2009 3M Company of Puerto Rico held a fashion show to promote some of their Post-it products. For the event, estudio interlínea was commissioned to design and execute the event’s visual language… of course, all of it made out of Post-its. —— To make the video more interesting, I used the […]
Alberto Rigau designed the commemorative object that was given to the recipients of the 2009 medals in architecture. Puerto Rico’s professional college of architects and landscape architects honors individuals and/or entities who are not directly related to the discipline of architecture but who have contributed to the field in a way that can be evidenced [. […]
Alberto Rigau was recognized by Marvin J Malecha, FAIA and Denise Gonzales Crisp for his contributions to the NC State University College of Design community. He was recognized for his roles as a T.A., a teacher at the College’s Design Camp for aspiring design students, as a designer for the Student Publication and for the […]
