Completed design, worked in conjunction with architect in training, Celina Bocanegra.
I spent most of the last two years at the NC State College of Design thinking, talking and ideating about the design process. As a student, most of my efforts, be it the look into Elemental’s intervention at Iquique, or the speculation over the future of our digital identities, among others, were all framed to dissect design process. On a class-level, the explorations surrounding the issues of collaboration or a social problem such as water consumption also pursued similar ends. Today, as a working designer, I find myself re-learning my ways of working, and how these relate to my design process, and that of others. Read the rest of this entry »
This past week, via Jason Alejandro of Made by Archetype, I was made aware of this wonderful creation which, in more than one instance, made me question the truthfulness of the reality that it presented. It is remarkable to see the work of someone who can manipulate softwares to generate such great work. If you have not seen it, give yourself 10mins of peaceful watching…
Visual interpretation of the negative space in the Herbert F. Johnson Museum.
My dad once told me that there are two kinds of architects: the ones who can understand spatial transparency (the privileged) and those who cannot (the rest). Robert Slutzky and Colin Rowe develop in “Trasparency” and “Transparency 2″ (from Architecture Culture: 1943-1968, by Joan Ockman) an understanding of how a building’s formal structure can demarcate spaces. They single out two types of transparencies: the literal and the phenomenal. The first refers to how a material like glass, although physically “transparent,” is still tangibly present in the structure’s form. In contrast, phenomenal transparency allows for a simultaneous perception of different spatial locations within the same space. The idea is that, like in an optical illusion, forms are suggested –or implied, as Peter Eisenman would prefer to say– rather than depicted. In other words, it allows for spatial stratification within given limits. Phenomenal spaces are never different, but differentiated. Like in Cubist paintings, phenomenal forms are suggested, not stipulated. The viewer defines what he/she sees.
Cover | Indice Anotado, 13 years of Mid-Career research investigations from architecture students of the Polytechnic University of Puerto Rico.
Jorge Rigau, FAIA, founding dean of the School of Architecture of the Polytechnic University of Puerto Rico; Miguel Rodríguez, current dean; and funds from the Historic Preservation Office of Puerto Rico have made it possible to publish the Índice Anotado (Anotated Index). This publication documents the Mid-Career research investigations completed by students at the School of Architecture of the Polytechnic University of Puerto Rico.
These texts were completed between 1996 and 2009 and executed by students at the end of the 3rd year of study. Their topical range is extensive, and most are complemented by photographs, drawings and inventories that will be useful to others following similar lines of research. While the collection is mainly about Puerto Rico, some projects look at Cuba, Dominican Republic and Panamá.
The index is organized by themes, and while some overlap, researchers will have to asses the focus areas of each of their topics to find relevant investigations. The documents are written in Spanish, but the the index provides a blurb about each of them in English to expand the ideas to a larger audience.
Copies of the full writings will be available for public consult at the library of the Polytechnic University of Puerto Rico and at the library of the Historic Preservation Office. The Índice Anotado has been designed by Alberto Rigau and published by Editorial Revés.
If you are near New York City on October 29, AIA/NY is hosting a one night lecture event around the work of three Puerto Rican architects. One of them is my father, Jorge Rigau, FAIA. Sadly, I won’t be able to make it, but I am sure it will be a nice gathering, so check it out if you have some time.
Herbert F. Johnson Museum: Exploring how the negative space of the facade blends in with its environment.
As part of the first exercise for first-year drawing class of the M.Arch. I at Cornell’s Architecture School, my classmates and I were asked to go around the campus and free-hand draw three structures. The assignment was completely open, as we could draw anything we wanted to portray. The purpose of the exercise was to begin thinking about how we “see” buildings and how we can represent those ideas about them. I centered on the Herbert F. Johnson Museum, the Sage Chappel, and Uris Library. I wish to share part of my outcome… Read the rest of this entry »
Commemorative piece given to the 2009 recipients of Puerto Rico's Architecture Awards. Design and concept by Alberto Rigau. Fabrication by Roberto Pérez.
This past Thursday, Puerto Rico’s professional college of architects and landscape architects awarded the 2009 medals in architecture. These awards, named after Ricardo Alegría, are given to individuals and/or entities who are not directly related to the discipline of architecture but who have contributed to the field in a way that can be evidenced in a substantial body of work.
Previously, this prestigious recognition had been given four times, and to my knowledge, recipients were given only a certificate. This year I volunteered and gifted the College with a design of commemorative piece to be handed out in the naming ceremony. Read the rest of this entry »
Armando Rigau holds a degree in Philosophy from Georgetown University. Currently he studies at the M.Arch. 1 program at the School of Architecture, Art and Planning at Cornell University. Alberto Rigau recently completed his graduate studies in Design at the College of Design in NC State University. Currently he runs a multidisciplinary design studio in San Juan, Puerto Rico.
In January 2009, the State Historic Preservation Office of Puerto Rico re-estructed the office’s identity system and editorial platform. To publicly initiate the effort, it amassed funds and published it’s first title under the new structure. Estudio Interlínea was brought in to help with the visual language of the new publication series. BOOK CREDITS _ [... […]
On Thursday October 8 2009 3M Company of Puerto Rico held a fashion show to promote some of their Post-it products. For the event, estudio interlínea was commissioned to design and execute the event’s visual language… of course, all of it made out of Post-its. —— To make the video more interesting, I used the […]
Alberto Rigau designed the commemorative object that was given to the recipients of the 2009 medals in architecture. Puerto Rico’s professional college of architects and landscape architects honors individuals and/or entities who are not directly related to the discipline of architecture but who have contributed to the field in a way that can be evidenced [. […]
