Typography from 1725

Posted: January 15th, 2010 | Author: | Filed under: Typography | Tags: , , , , , , , , , | No Comments »


As a continuation of my previous post, here another scan, this time of a 1725 document. Again, the use of the “catchphrase” is visible within these pages as well.
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Learning from the past

Posted: January 14th, 2010 | Author: | Filed under: Typography | Tags: , , , , , , , , | 5 Comments »

This past week, while researching through Dr. Arturo Dávila’s personal library, I came across a stack of pamphlets, about 11 of them in total, sewn and bound in varied marbleized papers. Trim-wise, these are considerably small, ranging from 3×4.5 inches to 5.5×8 inches, and yet, they called my attention. Don Arturo, as wise as he is, felt as my eyes were drawn to the colorful spines. “Pick them up; take a look“. In the process, he explained that these reproductions were used by the Church to spread its message. Little did I know, my curiosity had brought me to a series of original 18th Century texts—printed versions of homilies recited by Catholic priests in Mexico.

To share these, I took the time to scan one of the leaflets in its entirety. Please note a curious type treatment that has been killing me since I became aware of it: at the end of every page the typesetter included the first few characters of the word that follows on the next page. I had never seen this kind of strategy employed, and it was used in almost all of the documents, printed in a range of many different years, which means it was not a one time thing.

In their time, these documents would have probably not attracted any aesthetic conversation, but today, I can’t help but see them with a clinical eye, and hold them in my hands with admiration. Right now, everything about them—texture, color, smell, sound—is just fantastic. More importantly, each and every one of them holds some kind of typographic lesson that I can learn from.
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Looking at the typography of an image-based publication: Puerto Rico Ilustrado

Posted: September 8th, 2009 | Author: | Filed under: Photography, Typography | Tags: , , , , | 7 Comments »
from Puerto Rico Ilustrado, 1915, No. 274

from Puerto Rico Ilustrado, 1915, No. 274

from Puerto Rico Ilustrado, 1915, No. 278

from Puerto Rico Ilustrado, 1915, No. 278

Before Sports Illustrated, Life and the image-based version of National Geographic (can you believe it began as a text-based academic publication?), Puerto Rico had it’s very own image-based weekly: Puerto Rico Ilustrado.

It was published from March 6th 1910 through December 27th 1952, a length of time during which it amassed a collection of 2227 issues. Content wise, the pages primarily chronicled life in the island, while it also included writings and images on international events of the time.1 On average, these were about 16 pages, with about 6 of them dedicated to advertisements (which are fabulous in their own right). It was printed on a kind of dull paper, originally in black and white, but slowly 2 color printing makes its way into the covers. In the later years, covers are then produced in full color (which in many ways diminished the visual impact of earlier compositions)

During the last few weeks I have been scanning directly from about 15 years worth of issues, and the more I look at it the more I marvel at the typography contained in the mastheads of the issues, particularly their visual exploration which shows a struggle between looking man-made and machine-made, with an observed preference on the former.

My study on this publication is only beginning, but I have scanned a series of typographic treatments from a few years’ worth of the publication to begin a process of sharing them.
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Advocacy Planning to Open Irrigation Channels in Isabela, Puerto Rico as a Tourism Attraction

Posted: February 24th, 2009 | Author: | Filed under: ContemporaryCulture, DesignCulture, DesignProfession, DesignThinking, DesignWork, Personal | Tags: , , , , , , , , | 2 Comments »

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All photos by Gus Pantell.

The early part of the XXth century witnessed the construction of an extensive web of irrigation channels to distribute water to homes and farmlands in Puerto Rico along more than 35 kms. Still in operation to this day, throughout time different individuals and groups have acknowledged the scenic value of these channels; however, to most they remain unknown.

Conceived by the architectural firm, Jorge Rigau FAIA, Architects, the pilot project was designed to garner support from government officials, institutions, and the general public for the development of Isabela’s irrigation channels as a key ecotourism attraction in Puerto Rico. The “canales” travel across plains, mountains, and forests of varying microclimate, flora, fauna, and views. Maintenance paths that run continuously next to them could today be refashioned as nature trails accessible to the general public, children, senior citizens, and handicapped people alike. This pilot project set out to prove the feasibility of this initiative.

After public access to these facilities had been denied for eighty years, one kilometer of channels was opened up for two days, attracting an audience of over 3,000 registered people, including key decision-makers like the Island’s Interim Governor. Environmental leaders and university professors joined the long lines of visitors from all over the Island.Advocacy is often linked to demonstrations, more than often committed to stop something from happening. In our case, we chose to demonstrate otherwise: How something can, in fact, happen. Letters of support have started to come and decision makers – already engaged – have invited us to sit and dialogue. This is what we planned for.

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