Our family’s story told through design

This past February 7th, Magacín, El Nuevo Día’s Sunday magazine asked my father to write about one of the most important design traditions in our family: the design of wedding anniversary commemorative bracelets. Read the rest of this entry »

From sketch to completion through a collaborative design process

Sketch for a residential garage door.

Completed design, worked in conjunction with architect in training, Celina Bocanegra.

I spent most of the last two years at the NC State College of Design thinking, talking and ideating about the design process. As a student, most of my efforts, be it the look into Elemental’s intervention at Iquique, or the speculation over the future of our digital identities, among others, were all framed to dissect design process. On a class-level, the explorations surrounding the issues of collaboration or a social problem such as water consumption also pursued similar ends. Today, as a working designer, I find myself re-learning my ways of working, and how these relate to my design process, and that of others.
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Plastic Prototyping

Study of a custom typeface in 1/2″ frosted acrylic. Each letter was cut to be 12 inches tall.

Study for a commercial booth in a 1/2 scale model to test the assembly system.

While at NC State University’s College of Design I was encouraged to consistently prototype. Even though we had access to a full machine shop and a laser cutter, I always prototyped in paper. I loved the quick success granted by playing with some post-its and markers (I have to say my friend Valentina was the grad-school queen of markers who got me into the habit of using them again).

Now, a few months after leaving NC State, I am still consistently prototyping. I have to say that now, because I am trying to establish a multidisciplinary practice, I require more quick iterations than ever before, be it to keep my mind fresh or to be able to collaborate with another designer on a project.

Here I want to show a few images from two projects that are currently underway. In each of them I have prototyped using a laser cutter and some acrylic.
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Subjectified

This past week I received my copy of Gary Hustwit’s film Objectified. You can imagine my excitement to have the opportunity to finally press play, but seventy-five minutes later I found myself asking: “–That was it?” Just as with Helvetica, I enjoyed the film, I truly did, but I found it too closed niched, too much in the preference of a certain kind of designer and object.

Where were the Campana brothers? Did the One-Laptop Per Child deny an interview? Was Phillip Stark not available? Javier Mariscal? How come no electric cars made it to the edit? How about Massimo and Lella Vignelli? And those unsung heroes who today produce some of the most amazing work on the sustainability front? How about Catalan designer Juli Capella who constantly writes about Spanish objects, their design and influence in culture? How come Scandinavia’s and India’s work did not make it? And why were there no architects? (they happen to design a large percentage of the objects that surround us) I bet you can also instantly think of a few more examples.

This project being a film, I understand its need for editing and focus. Not everything can make it. I understand that, but… Would it have been too hard to minimize the fourth showing of one person and introduce the perspective of an up-and-coming designer? And how come Latin American design has not been referenced? (I am so shocked about the non-showing of the Brazilian Campana brothers).

As you can tell, I am a bit disappointed, but don’t let that discourage you from watching it. The film offers a rare look into the process and thinking of some of those whose work has changed the contemporary way of living. It is a good reference. It just left me with too many questions that probably only a design nerd like me will ever make…

The 2009 medals in architecture

Commemorative piece given to the 2009 recipients of Puerto Rico's Architecture Awards. Design and concept by Alberto Rigau. Fabrication by Roberto Pérez.

This past Thursday, Puerto Rico’s professional college of architects and landscape architects awarded the 2009 medals in architecture. These awards, named after Ricardo Alegría, are given to individuals and/or entities who are not directly related to the discipline of architecture but who have contributed to the field in a way that can be evidenced in a substantial body of work.

Previously, this prestigious recognition had been given four times, and to my knowledge, recipients were given only a certificate. This year I volunteered and gifted the College with a design of commemorative piece to be handed out in the naming ceremony.
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